91ÇÑ×Ó

2018: An Entangled World

Literature

Voices of the Inseparable

91ÇÑ×Ó

Introductory Questions

    • Does literature bring us together, or is reading a fundamentally solo act?
    • Consider different types of literature: does enjoying poetry separate a person from broader culture, or does reading popular novels connect us? Are there forms of literature that can travel between high and low culture?
    • Many of this year’s selection were written by authors who “belong” to two cultures. How do these selections, and perhaps literature in general, bridge (or reinforce) separations between people?
    • To what extent is a writer entangled in his or her culture, and can he or she get outside of it? Can any works of literature truly be considered universal?
    • Why do so many people turn to poetry to express the pain and pleasure of love? Is there a reason poetry is particularly associated with intimate feelings?
    • How does literature help us remember the past (or speak to the future)? Can we trust fictional accounts of the past, or are written accounts inevitably biased?
    • What causes a work of literature to last? How does the presence of a literary canon—that is, a body of work agreed to be “important”—connect us to the past?
    • Does the “Western canon” still serve a purpose in our contemporary, entangled word? Did it ever?

Poems

Love and Friendship
    • | Emily Dickinson
    • | e.e. cummings
    • | Naomi Shihab Nye
    • | Aja Monet
    • | Pablo Neruda
    • | Gary Turk
    • | Margarita Engle
    • | Mary Oliver
    • | Carol Ann Duffy
    • | Marge Piercy
    • | Elana Bell
    • | Lydia Davis
Communities Large and Small
    • | Robert Frost
    • | John Donne
    • | Susan Stewart
    • | Yesenia Montilla
    • | Dr Seuss
    • | Fatimah Asghar & Eve L. Ewing
    • | Proverb
    • | Joy Harjo
    • | Robinson Jeffers
    • | Czeslaw Milosz
    • | Sally Wen Mao
Hauntings and The Haunted
    • | Wole Soyinka
    • | Tennyson
    • | Stephen Dunn
    • | Adam Zagajewski
    • | Kiki Petrosino
    • | Marie Howe
    • | Safia Elhillo
    • | Li-Young Lee
    • | Richard Hoffman

Drama & Film

    • Film | Your Name (Kimi No Na Wa)
    • Film | Eternal Sunshine of the Spotless Mind*
    • Drama | , Act 2, Scene 2; Act 3, Scene 5

Longer Works

    • | Andy Weir
    • | John Cheever
    • | Amy Tan
    • | Chinua Achebe
    • | Madeleine Thien
    • | Ken Liu
    • (excerpt) | Neal Shusterman
    • | Khaled Hosseini
    • | Guy Gavriel Kay

Guided Questions and Case Studies

    • Poets and novelists often include a short quotation at the beginning of their work. These epigraphs—“writing above”—both set up the work’s thematic interests and also position the writer in a centuries-old conversation with other writers: . Discuss with your team: Are epigraphs common in the writings of your culture? Which writers use epigraphs in this year’s selected works, and why?
    • As we know from Google Translate, turning one language’s words into another is not always straightforward. Translators must consider not only the literal meaning of a word but also its implications; they have to have a deep familiarity with the cliches, idioms, and values of both cultures. With your team, consider the challenges and opportunities of translation. Does it matter ? How much freedom should a translator feel in
    • Consider Dungeons and Dragons as an example of "entangled" storytelling - in which narrator and characters interact. Discuss with your team: is such a form of literature, and is it growing more common in our Internet-enabled world? You may wish to consider of collaborative, role-playing games.
    • Speaking of entangled storytelling: although fanfic may date , it is particularly associated with Internet communities. With your team, explore the relationship between fandoms and their source materials. How do readers help ? In what way are the roles of reader, author, and character entangled? And is Hamilton

*Film contains mature language and should only be watched with teacher consent and adult guidance.